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George Gershwin

Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Glenn Miller

The Glenn Miller Orchestra is still performing today under the direction of Larry O'Brien. Glenn once said, "A band ought to have a sound all of its own. It ought to have a personality." His band certainly had their own sound, and it is a sound that is still popular after over fifty years.
Etta James

Kenny G

As of 2003, Kenny G was named the 25th-highest selling artist in America by the RIAA, with 48 million albums sold in the USA as of July 31, 2006. In 1994, Kenny G won the Grammy Award for Best Instrumental Composition for Forever in Love.
Keith Jarrett

His career started with Art Blakey, Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success in both classical music and jazz, as a group leader and a solo performer. His improvisation technique combines not only jazz, but also other forms of music, especially classical, gospel, blues and ethnic folk music.
In 2003 he received the Polar Music Prize, being the first (and to this day only) recipient not sharing the prize with anyone else.
Nat King Cole

Cole first came to prominence as a leading jazz pianist, then switched his emphasis to singing, becoming one of the most popular and best known vocalists of all time.
Cole's first mainstream vocal hit was his 1943 recording of one of his compositions, "Straighten Up and Fly Right", based on a black folk tale that his father had used as a theme for a sermon. Johnny Mercer invited him to record it for the fledgling Capitol Records label. It sold over 500,000 copies, and proved that folk-based material could appeal to a wide audience. Although Nat would never be considered a rocker, the song can be seen as anticipating the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period by hits such as "The Christmas Song" (Cole recorded the tune four times: June 14, 1946 as a pure Trio recording; August 19, 1946 with an added string section; August 24, 1953; and again in 1961 for the double album, The Nat King Cole Story. This final version, recorded in stereo, is the one most often heard today.), "Nature Boy" (1948), "Mona Lisa" (1950), "Too Young" (the #1 song in 1951), and his signature tune "Unforgettable" (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his jazz roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight.
His last album, L-O-V-E, was recorded in early December 1964 â just a few days before entering the hospital for lung cancer treatment â and released just prior to his death; it peaked at #4 on the Billboard Albums chart in the spring of 1965. A Best Of album went gold in 1968. His 1957 recording of "When I Fall In Love" reached #4 in the UK charts in 1987.
Antonio Carlos Jobim

Erroll Garner

What makes Garner's playing easy to recognize is his trademark introductions, which seem to make no sense until breaking dramatically into his exposition of the tune he will play, and the guitar strumming sound of his left hand, playing crotchet accompaniment to his rich sounding right hand. He places his chords and octaves on syncopated beats that swing very hard and can be used to build excellent tension, such as between phrases. The approach also suggests he was influenced by the iconic rhythm guitar work of Count Basie's long time guitarist, Freddie Green. But discerning listeners could find that while his even four left hand was a fixture, it was far from being the only rhythmic approach he took to playing.
Van Morrison

Known as "Van the Man" by his fans, Morrison first rose to prominence as the lead singer of the Northern Irish band Them, writing their 1964 garage rock classic hit, "Gloria". A few years later, Morrison left the band and embarked on a successful solo career.
Morrison has pursued an idiosyncratic musical path. Much of his music is tightly structured around the conventions of American soul and R&B, such as the popular singles, "Brown Eyed Girl", "Moondance", "Domino" and "Wild Night". An equal part of his catalogue consists of lengthy, loosely connected, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz, and stream-of-consciousness narrative, such as his classic album Astral Weeks and lesser known works such as Veedon Fleece and Common One. The two strains together are sometimes referred to as "Celtic Soul".
Morrison's career, spanning some five decades, has influenced many popular musical artists. He was inducted into the Rock and Roll Hall of Fame in 1993 and the Songwriters Hall of Fame in 2003. In 2000, Morrison ranked number twenty-fifth on American cable music channel VH1's list of its "100 Greatest Artists of Rock and Roll", and in 2004, Rolling Stone magazine ranked Van Morrison forty-second on their list of "Greatest Artists of All Time". Paste ranked him twentieth in their list of "100 Greatest Living Songwriters" in 2006 and Q ranked him twenty-second on their list of "100 Greatest Singers" in April 2007.
Corinne Bailey Rae

Gary Jules

Some of his early projects / bands were The Ivory Knights, Our Town Pansies, Woodenfish, Kofi, The Origin, "Invisible", "No poetry," and "Heroes and Heroin."
Tom Waits

Lyrically, Waits' songs contain atmospheric portrayals of bizarre, seedy characters and places, although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known to the general public in the form of cover versions by more visible artistsâfor example, "Jersey Girl," performed by Bruce Springsteen; "Downtown Train" and "Tom Traubert's Blues" performed by Rod Stewart; and "Ol' '55," performed by the Eagles. Although Waits' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations.
Waits currently lives in Sonoma County, California with his wife and their three children.
Tony Bennett

Bennett is also an accomplished painter, creating works under his birth name, Anthony Benedetto.
Ray Charles

During the late 1960s and into the 1970s, Charles' releases were hit-or-miss, with some big hits and critically acclaimed work. His version of "Georgia On My Mind" was proclaimed the state song of Georgia on April 24, 1979, with Charles performing it on the floor of the state legislature.
He died on June 10, 2004 of hepatocellular carcinoma (liver cancer) at his home in Beverly Hills, California, surrounded by family and friends. His body was interred in the Inglewood Park Cemetery in Inglewood, California. His final album, Genius Loves Company, released two months after his death, consists of duets with various admirers and contemporaries: B.B. King, Van Morrison, Willie Nelson, James Taylor, Gladys Knight, Michael McDonald, Natalie Cole, Elton John, Bonnie Raitt, Diana Krall, Norah Jones, and Johnny Mathis.
Oleta Adams

Adams started her career in the early 1980s with two self financed albums which had limited success. In 1985, she was discovered by Roland Orzabal and Curt Smith, founders of the English pop band, Tears for Fears, whilst performing in a bar in Kansas City, Missouri. They invited her to join their band as a singer on their next album The Seeds of Love.
In 1989, the album was released and the single "Woman In Chains" - sung as a duet by Adams and Orzabal and with Phil Collins on drums - became her first hit. Adams restarted her solo career in 1990, assisted by Orzabal who co-produced her new album, Circle of One. The album received much critical acclaim and she scored her biggest hit to date in 1991 with her Grammy nominated cover of Brenda Russell's "Get Here". 1991 also saw Adams contribute to the Elton John/Bernie Taupin tribute album, Two Rooms, on which appeared her version of John's 1974 hit "Don't Let the Sun Go Down On Me". Adams' version became another top 40 hit in the UK.
Her next album, Evolution (1993), was also a commercial success. Her 1995 release, Moving On, saw Adams move more in the direction of R&B, and she also reunited with Tears For Fears for the duet "Me And My Big Ideas" the same year. Two years later she released the Christian themed album Come Walk With Me.
Adams released her first Christmas album on 3 October 2006, entitled Christmas Time with Oleta.
Anastasia

The idea for the film originates from Fox's 1956 live-action film version of the same name. Executives at Fox gave Bluth and Goldman the choice of creating an animated adaptation of either the 1956 film or the original play by Marcelle Maurette.
Cinderella

The film received three Academy Award nominations for Best Sound, Original Music Score and Best Song for "Bibbidi-Bobbidi-Boo".
Corpse Bride

The film was nominated in the 78th Academy Awards for Best Animated Feature. It lost to Wallace & Gromit: The Curse of the Were-Rabbit.
The film is dedicated to the memory of Joe Ranft.
The movie exhibits Burton's trademark style and recurring themes (the complex interaction between light and darkness, and of being caught between two irreconcilable worlds). Life is portrayed as boring and dully gray tinted while death is more fun, as evidenced by the brighter colors and jaunty music. The movie can be particularly compared to The Nightmare Before Christmas, Burton's previous stop-motion feature project (directed by Henry Selick and based on a Tim Burton poem, which Corpse Bride director Mike Johnson worked on as an animator) and Beetlejuice, especially in the scenes depicting the underworld and its deceased denizens. The studio intentionally emphasized the links, as some commercials for Corpse Bride were accompanied by songs from The Nightmare Before Christmas (specifically, "What's This"); also, in an issue of Disney Adventures, Emily (the title character) was compared to The Nightmare Before Christmas's Sally, despite the stark contrasts in personality between the outspoken, free-spirited Emily and the quiet, timid Sally. The Corpse Bride is also considered to be the spiritual successor of The Nightmare Before Christmas.
Most of the characters in the film bear a strong resemblance to the original cast of the British period drama Upstairs, Downstairs. In the "Special Features" section of the DVD, Tim Burton states that the films' setting pays tribute to the series, with the Land of the Living being the "upstairs", and the Land of the Dead being the "downstairs".
Aladdin

The film was directed by John Musker and Ron Clements, both of whom had just finished writing and directing The Little Mermaid (1989). The musical score was written by Alan Menken, with song lyrics written by Howard Ashman and Tim Rice. Aladdin features the voices of Scott Weinger, Jonathan Freeman, Linda Larkin, Frank Welker, Gilbert Gottfried, Douglas Seale, and, as the Genie of the lamp, Robin Williams. Although this was not the first time in which a major actor such as Williams provided voice-over work for an animated film, it was the first major American animated feature film in which particular attention was paid to a celebrity voice cast member, such as a major movie star, in the film as part of its promotion. This has led to a subsequent increased attention to the casts of later productions, as a major element of animated film marketing.
Aladdin was followed by two direct-to-video sequels: The Return of Jafar (1994) and Aladdin and the King of Thieves (1996), and an animated television series, Aladdin, set between the two sequels.
The Little Mermaid

The film is given credit for breathing life back into the animated feature film genre after a string of critical and commercial failures that had dated to the early 1980s. It also marked the start of the era known as Disney Renaissance.
A stage adaptation of the film with a book by Doug Wright and additional songs by Alan Menken and new lyricist Glenn Slater opened in Denver in July 2007 and began performances on Broadway.
The Little Mermaid: An Original Walt Disney Records Soundtrack is the soundtrack to Disney's 1989 animated feature The Little Mermaid. It contains the songs from the film written by Alan Menken and Howard Ashman, as well as the film's score composed by Alan Menken. The album received the Academy Award for Best Original Score and the Golden Globe Award for Best Original Score.
In October 2006, a new two-disc special edition version of the soundtrack was released to correspond with the two-disc Platinum Edition DVD release of The Little Mermaid. The first disc remains identical to the original release, yet with remastered audio, while the newly added second disc is composed of various newly recorded version of the film's songs by different artists, such as Ashley Tisdale, Raven-Symoné, The Jonas Brothers, and Jessica Simpson. It also includeds two videos, as well as new cover art.
Charlie Brown

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