Flute Sheet Music

Joachim Andersen

Toru Takemitsu

Alan Silvestri

estri is best known for his collaborations with director Robert Zemeckis, having scored Romancing the Stone (1984), the Back to the Future trilogy (1985, 1989, 1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), Cast Away (2000), The Polar Express (2004) , Beowulf (2007) and Disney's A Christmas Carol (2009).
Silvestri is also known for his work on Predator (1987) and Predator 2 (1990), both of which are considered preeminent examples of action/sci-fi film scores. He has also begun a collaboration with director Stephen Sommers, scoring the films The Mummy Returns in 2001, Van Helsing in 2004 and G.I. Joe: The Rise of Cobra in 2009.
Silvestri also composed music for television, including for the series Starsky & Hutch, CHiPs , Manimal and HBO's Tales from the Crypt.
Silvestri was 21 years old when he started his film/televsion composing career.
His early style is marked by a strong use of the "octatonic scale," as well as an eclectic use of different notes and instruments.
It was thought that Silvestri was allegedly inspired by the works of Barry DeVorzon, Perry Botkin, Jr., Lalo Schifrin, Jerry Fielding, Jerry Goldsmith and John Williams.
Uni Akiyama

Georges Bizet

Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Theobald Boehm

CHARLES MEKEALIAN
Handel

Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Traditional

Messiaen Olivier

The compositions by Olivier Messiaen include works for chamber ensemble, orchestra, vocal music, music for piano and organ, as well as some of the earliest electronic music, with his use of the ondes martenot in several of his conpositions. Messiaen's work is characterised by rhythmic complexity, his interest in ornithology and birdcalls, and his system of modes of limited transposition.
Johann Friedrich Fasch

Flute
1
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67.13KB - 107d ago

John Williams

Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Dream Theater

Dream Theater has become a successful progressive metal band. Although the band has had one successful hit ("Pull Me Under" in 1992, which received extensive MTV rotation), they have remained relatively out of the mainstream.
The band is well known for the technical proficiency of its instrumentalists, who have won many awards from music instruction magazines. Dream Theater's members have collaborated with many other notable musicians. Guitarist John Petrucci has been named as the third player on the G3 tour six times, more than any other invited guitarist, following in the footsteps of Eric Johnson and Robert Fripp. Drummer Mike Portnoy has won 23 awards from Modern Drummer Magazine and is also the second youngest person (at the age of 37) to be inducted into the Rock Drummer Hall of Fame.
The band's highest selling album is the gold selling Images and Words (1992), which reached #61 on the Billboard 200 charts. Both the 1994 release Awake and their 2002 release Six Degrees of Inner Turbulence also entered the charts at #32 and #46 respectively and received mostly positive reviews. Six Degrees of Inner Turbulence also led to Dream Theater becoming the initial band reviewed in the Music Section of Entertainment Weekly during its opening week of release, despite the magazine generally preferring more mainstream music. In 2007, Systematic Chaos entered US Billboard 200 at #19. Dream Theater has sold over two million albums in the U.S., and over 8 million records worldwide. The band's tenth studio album, Black Clouds & Silver Linings, was released on June 23, 2009. It entered the US Billboard 200 at #6 and Eurochart Hot 100 at #1, marking their highest entry on either chart. Currently the musician and writer Jose Aranda is writing a doctoral thesis book about Dream Theater and the meaning of music.
Victor Young

Albums: Themes and Songs from The Quiet Man,
Louis Köhler

Hector Berlioz

Giulio Briccialdi

William Croft

Elton John & Bernie Taupin
Sir Elton Hercules John CBE (born Reginald Kenneth Dwight; 25 March 1947) is an English singer, songwriter, pianist, and composer. He has worked with lyricist Bernie Taupin since 1967; they have collaborated on more than 30 albums. John has sold more than 300 million records, making him one of the world's best-selling music artists. He has more than fifty Top 40 hits, as well as seven consecutive number-one albums in the United States, 58 Billboard Top 40 singles, 27 Top 10 singles, four of which peaked at number two and nine of which reached number one. His tribute single "Candle in the Wind 1997", rewritten in dedication to Diana, Princess of Wales, sold over 33 million copies worldwide and is the best-selling single in the history of the UK and US singles charts. He has also produced records and occasionally acted in films. John owned Watford F.C. from 1976 to 1987 and from 1997 to 2002, and is an honorary Life President of the club.
John Denver

Rachmaninoff

Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Beethoven

Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Bach

Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Saint Saens

Guerra Peixe

Dvorak

Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Alan Menken

Johann Joachim Quantz

Santa Esmeralda

Jamey Aebersold

Prokoviev
Steve Dempsey

Oscar Carmona

Inasible III - Ausencia Inasible · 2017
Irving Berlin

César-Auguste-Jean-Guillaume-Hubert Franc
César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 – 8 November 1890) was a composer, pianist, organist, and music teacher who worked in Paris during his adult life.
He was born at Liège, in what is now Belgium (though at the time of his birth it was part of the United Kingdom of the Netherlands). He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha. After a brief return to Belgium, and a disastrous reception for an early oratorio Ruth, he moved to Paris, where he married and embarked on a career as teacher and organist. He gained a reputation as a formidable musical improviser, and travelled widely within France to demonstrate new instruments built by Aristide Cavaillé-Coll.
In 1858, he became organist at the Basilica of St. Clotilde, Paris, a position he retained for the rest of his life. He became professor at the Paris Conservatoire in 1872; he took French nationality, a requirement of the appointment. His pupils included Vincent d'Indy, Ernest Chausson, Louis Vierne, Charles Tournemire, Guillaume Lekeu and Henri Duparc. After acquiring the professorship, Franck wrote several pieces that have entered the standard classical repertoire, including symphonic, chamber, and keyboard works.
He was born at Liège, in what is now Belgium (though at the time of his birth it was part of the United Kingdom of the Netherlands). He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha. After a brief return to Belgium, and a disastrous reception for an early oratorio Ruth, he moved to Paris, where he married and embarked on a career as teacher and organist. He gained a reputation as a formidable musical improviser, and travelled widely within France to demonstrate new instruments built by Aristide Cavaillé-Coll.
In 1858, he became organist at the Basilica of St. Clotilde, Paris, a position he retained for the rest of his life. He became professor at the Paris Conservatoire in 1872; he took French nationality, a requirement of the appointment. His pupils included Vincent d'Indy, Ernest Chausson, Louis Vierne, Charles Tournemire, Guillaume Lekeu and Henri Duparc. After acquiring the professorship, Franck wrote several pieces that have entered the standard classical repertoire, including symphonic, chamber, and keyboard works.
J. F. Wade
John Francis Wade was an English hymnist who is sometimes credited with writing and composing the hymn "Adeste Fideles", even though the actual authorship of the hymn remains uncertain. The earliest copies of the hymn all bear his signature.
Huub de Lange

Honegger

Tchaikovsky

Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Robert Sheldon

Music theory

Cavalinni
Gabriel Faure

Louise Di Tullio

Julian Arguelles

Eusebio villalobos

Billy Joel

Joel had Top 10 hits in the '70s, '80s, and '90s; is a six-time Grammy Award winner, and has sold in excess of 150 million albums worldwide. He was inducted into the Songwriter's Hall of Fame (Class of 1992), the Rock and Roll Hall of Fame (Class of 1999), and the Long Island Music Hall of Fame (Class of 2006). Joel "retired" from recording pop music in 1993 but continued to tour (sometimes with Elton John). In 2001 he subsequently released Fantasies & Delusions, a CD of classical compositions for piano. In 2007 he returned to recording with a single entitled "All My Life," followed by an extensive "World Tour" from 2006-2008, covering many of the major world cities.
Ravel

Ravel's piano compositions, such as Jeux d'eau, Miroirs and Gaspard de la Nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation very effectively.
Ravel is perhaps known best for his orchestral work, Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."
According to SACEM, Ravel's estate earns more royalties than that of any other French musician. According to international copyright law, Ravel's works are public domain since January 1, 2008 in most countries. In France, due to anomalous copyright law extensions to account for the two world wars, they will not enter the public domain until 2015.
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