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Guns N Roses

Guns N' Roses have sold an estimated 90 million albums worldwide, 1991's Use Your Illusion I and Use Your Illusion II debuted on the two highest spots on the Billboard 200 and have sold a combined 14 million copies in the United States alone.
Counting Crows

Michael Bolton

His achievements include selling 53 million albums, eight top ten albums, two number one singles on the Billboard charts, and awards from both the American Music Awards and Grammy Awards.
Bolton's hard rock band, Blackjack, once toured with heavy metal singer Ozzy Osbourne. He began recording as Michael Bolotin in 1975, after gaining his first major hit as a songwriter, co-writing "How Am I Supposed to Live Without You" for Laura Branigan, previously best-known for singing the disco-pop classic "Gloria". Narrowly missing the Top 10 on the U.S. pop chart, Branigan took the song to number one on the Adult Contemporary chart for three weeks. The two sought to work with each other again, and their next of several associations was when Bolton co-wrote "I Found Someone" for Branigan in 1985. Her version was only a minor hit, but two years later, Cher resurrected the song, and with it her own singing career. Bolton co-wrote several other songs for both singers.
Bolton would achieve his greatest success in the late eighties and early nineties as a singer in the adult contemporary/easy listening genre. One of his first major hits was his 1987 interpretation of the Otis Redding classic, "(Sittin' On) the Dock of the Bay." Always interested in soul and Motown classics, Bolton's success with that song encouraged him to tackle the standard "Georgia On My Mind," with which he had another hit. Most of Bolton's recordings are original material, however, he has also written songs for such artists as Barbra Streisand, Kenny Rogers, Kenny G, Peabo Bryson and Patti LaBelle. Bolton's early songwriting collaborators included Doug James and Mark Mangold, and as his fame grew he began to cowrite with higher-profile writers such as BabyFace, Diane Warren, and Bob Dylan. As a singer, he has performed with Plácido Domingo, Luciano Pavarotti, José Carreras, Lucia Aliberti, Renée Fleming, Zucchero, Patti LaBelle, Céline Dion, Ray Charles, Percy Sledge, Wynonna Judd, and BB King.
Take That

The band split up in 1996, but after a 2005 documentary and the release of a greatest hits album, they officially announced a 2006 reunion tour around the United Kingdom, entitled The Ultimate Tour. On May 9, 2006, it was announced that Take That were set to record their first studio album Beautiful World in over 10 years. They then went onto produce another sellout tour in 2007, The Beautiful World Tour, which garnered positive reviews from critics, and is to date their highest selling tour.
David Lanz

Lanz's goal is to have his music create an atmosphere of enlightenment. In an interview with Barnes & Noble, Lanz stated that he wanted to create an atmosphere similar to that of Steven Halpern's music, but with a "more popular hook in it".
Lanz has said himself, " is the most divinely inspired instrument on the planet. It presents a great attraction to our left-right brain relationship. My goal is to create entertainment that also provides enlightenment."
Jim Brickman

His music career started when he was nineteen, when Jim Henson hired him to write tunes for Sesame Street. He was also hired to write commercial jingles while in college.
Brickman signed with Windham Hill Records to release his first album, No Words, in 1994. The song "Rocket To The Moon" from that album was the first solo instrumental song ever to be ranked on Billboard's charts. Four of his albums (By Heart, Picture This, The Gift, and Destiny) have all sold over 500,000 copies, qualifying them as gold records in the United States.
Brickman writes a wide variety of music. Besides his piano compositions and love songs, he has also created arrangements of other songs. Several of his albums feature arrangements of children's music; he has produced two Christmas-themed albums The Gift (1997) and Peace (2003); and his 2005 album Grace concentrates on arrangements of well-known Christian music.
Ultravox

Members:
John Foxx, Chris Cross, Stevie Shears, Warren Cann
Billy Currie, Robin Simon, Midge Ure, Mark Brzezicki
Tony Fenelle, Sam Blue, Vinny Burns, Tony Holmes, Gary Williams
Enya

George Winston

Spandau Ballet

Members:
Tony Hadley
Gary Kemp
Martin Kemp
Steve Norman
John Keeble
John Tesh

Puccini

The subject of Puccini's style is one that has been long avoided by musicologists; this avoidance can perhaps be attributed to the perception that his work, with its emphasis on melody and evident popular appeal, lacked "seriousness" (a similar prejudice beset Rachmaninoff during his lifetime). Despite the place Puccini clearly occupies in the popular tradition of Verdi, his style of orchestration also shows the strong influence of Wagner, matching specific orchestral configurations and timbres to different dramatic moments. His operas contain an unparalleled manipulation of orchestral colors, with the orchestra often creating the scene’s atmosphere.
The structures of Puccini's works are also noteworthy. While it is to an extent possible to divide his operas into arias or numbers (like Verdi's), his scores generally present a very strong sense of continuous flow and connectivity, perhaps another sign of Wagner’s influence. Like Wagner, Puccini used leitmotifs to connote characters (or combinations of characters). This is apparent in Tosca, where the three chords which signal the beginning of the opera are used throughout to announce Scarpia. Several motifs are also linked to Mimi and the Bohemians in La Bohème and to Cio-Cio-San's eventual suicide in Butterfly. Unlike Wagner, though, Puccini's motifs are static: where Wagner's motifs develop into more complicated figures as the characters develop, Puccini's remain more or less identical throughout the opera (in this respect anticipating the themes of modern musical theatre).
Schumann

He had hoped to pursue a career as a virtuoso pianist, having been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe after only a few years of study with him. However, a hand injury prevented those hopes from being realized, and he decided to focus his musical energies on composition. Schumann's published compositions were, until 1840, all for the piano; he later composed works for piano and orchestra, many lieder (songs for voice and piano), four symphonies, an opera, and other orchestral, choral and chamber works. His writings about music appeared mostly in the Neue Zeitschrift für Musik ("The New Journal for Music"), a Leipzig-based publication that he jointly founded.
In 1840, after a long and acrimonious legal battle with his piano instructor Friedrich Wieck, Schumann married Wieck's daughter, pianist Clara Wieck, a considerable figure of the Romantic period in her own right. Clara Wieck showcased many works by her husband as well. For the last two years of his life, after an attempted suicide, Schumann was confined to a mental institution.
Mozart

Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Handel

Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Liszt

Liszt became renowned throughout Europe for his great skill as a performer; to this day, many consider him to have been the greatest pianist in history. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner and Hector Berlioz.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse oeuvre, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Liszt has most frequently been credited to have been the first pianist who gave concerts with programs consisting only of solo pieces. An example is a concert he gave on March 9, 1839, at the Palazzo Poli in Rome. Since Liszt could not find singers who — following the usual habit of the time — should have completed the program, he played four numbers all alone.
Liszt was a prolific composer. Most of his music is for the piano and much of it requires formidable technique.In his most famous and virtuosic works, he is the archetypal Romantic composer. Liszt pioneered the technique of thematic transformation, a method of development which was related to both the existing variation technique and to the new use of the Leitmotif by Richard Wagner. Liszt's piano works are usually divided into two classes. On the one hand, there are "original works", and on the other hand "transcriptions", "paraphrases" or "fantasies" on works by other composers.
Vivaldi

Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Ludovico Einaudi

Although Einaudi would prefer not to be labeled as any particular type of genre, he is sometimes referred to as Minimalist. This is despite his music not sharing the key musical properties associated with minimalism. This may be due to his music possessing sparse orchestration and simplistic melodies that some may wish to refer to as 'minimalist' despite not belonging to the musical movement of Minimalism.
Einaudi's own words on the matter reflect this viewpoint, with Einaudi referring to Minimalism as "elegance and openness", despite its more formal definition as a musical movement to which he arguably does not belong.
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