Piano Sheet Music

Spring Awakening

After a number of workshops, concerts and rewrites over a seven-year period, Spring Awakening premiered Off-Broadway at the Atlantic Theatre Company on May 19, 2006 and ran through August 17, 2006. The show then opened on Broadway at the Eugene O'Neill Theatre on December 10, 2006 and received favorable reviews. Spring Awakening received eleven 2007 Tony Award nominations, winning eight, including Tonys for best musical, direction, book, score and featured actor. The show also won four Drama Desk Awards, including Outstanding Musical. The production is directed by Michael Mayer and choreographed by Bill T. Jones.
Dirty Rotten Scoundrels

A North American national Equity tour launched on August 4, 2006 with Tony Award-winner Norbert Leo Butz reprising his role as Freddy, alongside Tom Hewitt as Lawrence. The Equity tour wrapped on August 19, 2007. The 25-city non-Equity tour of the show, with Jamie Jackson as Lawrence and Doug Thompson as Freddy, debuted September 25, 2007 in Dayton, Ohio, with its final performance on March 23, 2008, in Memphis, Tennessee. International productions have opened in Tokyo, Mexico City, Madrid, Stuttgart, Seoul, Oslo, Stockholm, Tampere and productions are planned for Copenhagen, Reykjavik, and London.
Cats

Into the Woods

Inspired by Bruno Bettelheim's 1976 book, The Uses of Enchantment, the musical intertwines the plots of several Brothers Grimm fairy tales and follows them further to explore the consequences of the characters' wishes and quests. The main characters are taken from the stories of Little Red Riding Hood, Jack and the Beanstalk, Rapunzel, and Cinderella, tied together by a more original story involving a Baker and his wife and their quest to begin a family, most likely taken from the original story of Rapunzel by the Brothers Grimm. It also includes references to several other well-known tales.
Cabaret

Originally entitled Welcome to Berlin, it is based on John Van Druten's play I Am a Camera, which in turn was adapted from the novel Goodbye to Berlin, by Christopher Isherwood. Set in 1929-1930 Berlin on the eve of the Nazis' rise to power, it focuses on nightlife at the seedy Kit Kat Klub and mostly revolves around the English 19-year-old cabaret performer Sally Bowles and her relationship with young American writer, Cliff Bradshaw. A sub-plot involves the doomed romance between German boarding house owner Fräulein Schneider and her elderly suitor Herr Schultz, a Jewish fruit vendor. Overseeing the action is the Emcee, who presides as master of ceremonies at the Kit Kat Klub and serves as a constant metaphor for the current state of society in Weimar Germany throughout the show.
Little Women

Based on Louisa May Alcott's classic 1869 semi-autobiographical novel, it focuses on the four March sisters - feisty, tomboyish, aspiring author Jo, romantic Meg, pretentious Amy, and kind-hearted Beth - and their beloved Marmee, at home in Concord, Massachusetts while the family patriarch is away serving as a Union Army chaplain during the Civil War. Intercut with the vignettes in which their lives unfold are several recreations of the melodramatic short stories Jo writes in her attic studio.
After 55 previews, the Broadway production, directed by Susan H. Schulman, opened on January 23, 2005 at the Virginia Theatre where, hampered by reviews ranging from lukewarm to abrasive, it closed after 137 performances.
The cast included Sutton Foster, Maureen McGovern, Janet Carroll, Jenny Powers, Megan McGinnis, Amy McAlexander, Danny Gurwin, Autumn Hurlburt and John Hickok.
A Chorus Line

With nineteen main characters, it is set on the bare stage of a Broadway theatre during an audition for chorus line members of a musical. The show gives a glimpse into the personalities of the performers and the choreographer as they describe the events that have shaped their lives and their decisions to become dancers.
The original Broadway production was an unprecedented box office and critical hit, receiving 12 Tony Award nominations and winning nine of them, in addition to the 1976 Pulitzer Prize for Drama. It ran for 6,137 performances, becoming the longest-running production in Broadway history up to that time. It still remains as the longest running musical whose first performance originated in the United States. The show has enjoyed many successful productions worldwide and was revived on Broadway in 2006.
Sweeney Todd: The Demon Barber of Fleet Street

Sweeney Todd opened on Broadway at the Uris Theatre on March 1, 1979 and ran for 557 performances. It was directed by Harold Prince with musical staging by Larry Fuller, and starred Len Cariou as Sweeney Todd and Angela Lansbury as Mrs. Lovett. The musical tells the story of Sweeney Todd, who was previously known as Benjamin Barker, who returns from Australia where he has spent fifteen years on false charges. When he learns from Mrs. Lovett, whose meat pies are the worst in London, that his wife poisoned herself after being raped by Judge Turpin (the man who wrongly imprisoned him), and that his daughter is the ward of the same Judge Turpin, he vows revenge.
A feature film adaptation of Sweeney Todd, jointly produced by Dreamworks and Warner Bros., was released on December 21, 2007. Tim Burton directed from a screenplay by John Logan. It stars Johnny Depp as Todd (Depp received an Oscar nomination and a Golden Globe award for his performance), Helena Bonham Carter as Mrs. Lovett, Alan Rickman as Judge Turpin, Sacha Baron Cohen as Signor Pirelli, Jamie Campbell Bower as Anthony Hope, Laura Michelle Kelly as The Beggar Woman, Jayne Wisener as Johanna, Ed Sanders as Toby, and Timothy Spall as Beadle Bamford.
Sondheim's score is one of his most complex to date, with orchestrations by his long-time collaborator Jonathan Tunick. It relies heavily on counterpoint and rich, angular harmonies. Its compositional style has been compared to those of Maurice Ravel, Sergei Prokofiev, and Bernard Herrmann (who scored Alfred Hitchcock films). Sondheim also quotes the ancient Dies Irae Gregorian chant, both as part of the eponymous ballad that runs throughout the score, later heard in a musical inversion, and in the accompaniment to "Epiphany". He also relies heavily on leitmotif - at least twenty distinct ones can be identified throughout the score. Depending on how and where the show is presented, it is sometimes considered an opera. Sondheim himself has described the piece as a "black operetta." An original Broadway cast recording was released in 1979. It included the Judge's "Johanna" and the tooth-pulling contest from Act I, which had been cut in previews.
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